Weekly news - 22/11/2017
Source: https://www.theguardian.com/music/2017/nov/20/russell-simmons-accused-of-sexual-assault-alongside-brett-ratner
Russell Simmons accused of sexual assault alongside Brett Ratner
Model, Keri Claussen Khalighi stated in 1991, aged 17 she was invited round to Russell Simmons, the hip-hop mogul who co-founded Def Jam Recordings. She stated that Simmons had tore off her clothes and attempted to force her to have sex, which she said she fought wildly. She also stated “I looked over at Brett and said, ‘Help me,’ and I’ll never forget the look on his face. In that moment, the realisation fell on me that they were in it together.”
Due to the fact she was 17 at the time she is classified as a child, where 1 in 20 children are sexually abused and 1 of 3 are perused by an adult. This makes Russell Simmons an addition to this number.
When looking at Brett Ratner, there is a history of sexual assault, where women such as Olivia Munn, Natasha Henstridge, Jamie Ray Newman, and Katharine Towne were victims. Three of these womens professions are or were modelling.
holly's media blog
My Blog List
Wednesday, 22 November 2017
Wednesday, 15 November 2017
Weekly news
Weekly news - 15/11/2017
BBC accused of sexing up Shakespeare after adding sex scenes to new £6m epic
This statement has been made after the BBC introduced sex scenes within the show Shakespeare. However the director Dominic Cook stated "For me it was really important that you saw this union between these two people – a kind of metaphor for their corruption."
Benedict Cumberbatch, playing the villain in Shakespeare was recently voted most popular BBC character, which in turn would have boosted the views of this programme, therefore receiving views from a diverse audience.
He has also been voted the sexiest movie star in the world according to the mail online, which may have influenced this sex scene.
Through research sex scenes within media have increased from 6% to 14% since 1999, showing the popularity of it. Therefore in my opinion Dominic Cook followed this trend to gain popularity in this programme, however it appeared to backfire.
Monday, 6 November 2017
The Production Cycle
Pre-Production - Planning, scripting, storyboarding, casting, costume, production design & budget
Pre production explains the process of planning before the camera rolls. This is commonly the most time consuming part of the cycle. I also includes the process of choosing the cast and the location of where the film will be shot.
Production - The actual shooting/recording
Production starts when the footage is recorded.
Post Production - Everything between production and creating the final master copy
Commonly within the post production, the editing is completed such as CGI/SFX.
Sales & Marketing
TV / Radio
Billboards
Online
Festival
Distribution
20th Century Fox
Universal
Disney
WB
Sony
MGM
Exhibition
Audience consumption
Amazon
Netflix
Cinema
DVD
TV
Airline
Staff
Producer
Writer
Director
Cinematographer
Production Designer
Pre-Production - Planning, scripting, storyboarding, casting, costume, production design & budget
Pre production explains the process of planning before the camera rolls. This is commonly the most time consuming part of the cycle. I also includes the process of choosing the cast and the location of where the film will be shot.
Production - The actual shooting/recording
Production starts when the footage is recorded.
Post Production - Everything between production and creating the final master copy
Commonly within the post production, the editing is completed such as CGI/SFX.
Sales & Marketing
TV / Radio
Billboards
Online
Festival
Distribution
20th Century Fox
Universal
Disney
WB
Sony
MGM
Exhibition
Audience consumption
Amazon
Netflix
Cinema
DVD
TV
Airline
Staff
Producer
Writer
Director
Cinematographer
Production Designer
Wednesday, 27 September 2017
Explore the representation of women in music videos
focusing on , Robin Thicke Blurred Lines and
Intro
Evolution of perception of women
in music videos
Socialization, the process of teaching or
learning how to be a member of a group sets the standards, which are seen as
‘acceptable’ within what we call ‘gender roles’. This process is commonly seen
within music videos, which sets the standards that females should promote being
sexualised to seem attractive to the opposite sex. The use of promotion aids
the music video industry as they are used as publicizing devices.
Historically women first appeared in music
videos in the 1930s, but didn’t gain popularity until the 1950s, where the
sexualisation of women became more apparent. A sample of sixty-two videos from 1984 showed, that 60% included
"some portrayal of sexual feelings or impulses"[1].
Stereotypes
Robin Thicke – Blurred Lines
Instantly seen within Robin Thicke’s music video blurred
lines is a divide between the two sexes shown through costume as the men are
seen to be wearing black and the women are dressed in White. Establishing this
rift at the beginning allows the idea that women may be portrayed as inferior
later on within the video. Also the use of the colour White often symbolises
purity/innocence which is a juxtaposition of their derogatory, sexualised look.
The theme of purity and innocence is hinted numerous times throughout the
video, one being a shot of a woman holding a lamb, being the representation of
innocence as the lamb is a metaphor of the girl herself who is stood next to
Pharell whom is dressed as farmer. This frame as a whole shows how Pharell is
in control and is going to tend for her.
The lamb also links to one of the main themes depicted
within the video of
women being animals. This is accentuated by one of the lines
sung “OK now he was close, tried to domesticate you”, where the use of the word
domesticate refers to women, which clearly shows the power the men have over
them as this is word commonly used to describe the education of animals. The
strong link seen between women and animals emphasizes the point they are sexual
objects.
One scene within the video shows a woman playing with a red
car toy in childlike manner. This furthermore demeans the women as they are
seen as young and immature and need someone to discipline them. This midshot
shows the woman sexually bent down on the ground with the car rolling down her
body. This is key within the video as is connotes masculinity as these are two
possessions most important to men and they are seen to be getting along which
puts men in their element. Also the use of red of the car implies love and
passion which replicates the feelings men have to their possessions.
Girl lighting cigarette, close up, shows masculinity,
Masculinity – men all dressed in suits, positioned centre of
shot, shows sense of power
Video editing - #THICKE, bold writing connotes strength and
masculinity (representation of main character Robin Thicke), word thicke has
sexual characteristics of the male reproductive organ
Lighting – bright lighting to suggest things go right when
men are around, sign of intelligence
Lyrics – women referred to as bitches, links to animal
connotations
Camera movements – close ups of areas on the female body,
objectified
Robin Thicke pulls girl pony tail, as if an object, little
respect
Contrary to this Robin Thicke argues in an interview with GQ
in 2013 that when creating blurred lines they wanted “to do everything that was
taboo”.
Monday, 7 November 2016
Examples of what is included in Thriller:
Themes+settings: Characters:
- Urban - Protagonist vs. Antagonist
- Modern - Hero vs Villain
- Crime - Psychics
- Deaths - False hero
- Missing people - Victims
- Greed - Love/sex interest
- Paranoia - Comic relief
Narrative: Emotions for audience
- Murder - Suspense
- Protagonist threatened/ captured - Tension
- Assault - Scared
- Chase scenes - Fear
- Gun fights - Shock
- Mind games - Excitement
- Twists
- Plot twists
Technical codes:
- camera angles
- Movement
- Editing (cuts&fades)
- Mis-en-scene
- Sound
- Colour/lighting
Themes+settings: Characters:
- Urban - Protagonist vs. Antagonist
- Modern - Hero vs Villain
- Crime - Psychics
- Deaths - False hero
- Missing people - Victims
- Greed - Love/sex interest
- Paranoia - Comic relief
Narrative: Emotions for audience
- Murder - Suspense
- Protagonist threatened/ captured - Tension
- Assault - Scared
- Chase scenes - Fear
- Gun fights - Shock
- Mind games - Excitement
- Twists
- Plot twists
Technical codes:
- camera angles
- Movement
- Editing (cuts&fades)
- Mis-en-scene
- Sound
- Colour/lighting
Theories
Vladimir Propp
Character roles:
The hero - seeks something
The villain - opposes the hero
The donor - helps the hero
The dispatcher - sends the hero on his way
The false hero - falsely assuming the role of hero
The helper - gives support to the hero
The princess - the reward for the hero, but also needs protection from the villain
Her father
Example of Propp:
Shrek
The hero - Shrek as he saves Princess Fiona and wins her love
The villain - Lord Farquaad as he wants Fiona to himself
The donor - The donor is not a particular person but a magical dragon who helps stops the wedding of Lord Farquaad and Fiona when Shrek realises he loves her, and finds out that she is an ogre too.
The dispatcher - Lord Farquaad is the Dispatcher as he is the one who sends Shrek to go and rescue Princess Fiona.
The false hero - The False hero is Lord Farquaad because he earned the princess even though he had to get Shrek to complete the mission to save her from the castle, however Shrek and Fiona end up in love.
The helper - Donkey is the helper in Shrek as he provides Shrek someone to talk to as well as moral support throughout the film.
The princess - Fiona
Her father - king Harold
Claude Levi-Strauss
Binary oppositions
- symbolic oppositions
e.g. Hero vs. Villain
Tzvetan Todorov
Simple narrative structure.
Start with equilibrium - in which life is normal then something happens to disrupts that then there is a new equilibrium
Roland Barthes
codes - denotation and connotation to analyse images
Action - a narrative device by which a resolution is produced through action e.g. shoot out
Enigma - a narrative device that teases the audience by presenting a puzzle or riddle to be solves. Works to delay the story's ending pleasurably.
Symbolic - (connotation) - secret hidden meaning
Semic - (denotation) - what is literally happening
Cultural - a narrative device which the audience can recognise as being part of a culture e.g. a 'made man' in a gangster film is part of the mafia culture.
Character roles:
The hero - seeks something
The villain - opposes the hero
The donor - helps the hero
The dispatcher - sends the hero on his way
The false hero - falsely assuming the role of hero
The helper - gives support to the hero
The princess - the reward for the hero, but also needs protection from the villain
Her father
Example of Propp:
Shrek
The hero - Shrek as he saves Princess Fiona and wins her love
The villain - Lord Farquaad as he wants Fiona to himself
The donor - The donor is not a particular person but a magical dragon who helps stops the wedding of Lord Farquaad and Fiona when Shrek realises he loves her, and finds out that she is an ogre too.
The dispatcher - Lord Farquaad is the Dispatcher as he is the one who sends Shrek to go and rescue Princess Fiona.
The false hero - The False hero is Lord Farquaad because he earned the princess even though he had to get Shrek to complete the mission to save her from the castle, however Shrek and Fiona end up in love.
The helper - Donkey is the helper in Shrek as he provides Shrek someone to talk to as well as moral support throughout the film.
The princess - Fiona
Her father - king Harold
Claude Levi-Strauss
Binary oppositions
- symbolic oppositions
e.g. Hero vs. Villain
Tzvetan Todorov
Simple narrative structure.
Start with equilibrium - in which life is normal then something happens to disrupts that then there is a new equilibrium
Roland Barthes
codes - denotation and connotation to analyse images
Action - a narrative device by which a resolution is produced through action e.g. shoot out
Enigma - a narrative device that teases the audience by presenting a puzzle or riddle to be solves. Works to delay the story's ending pleasurably.
Symbolic - (connotation) - secret hidden meaning
Semic - (denotation) - what is literally happening
Cultural - a narrative device which the audience can recognise as being part of a culture e.g. a 'made man' in a gangster film is part of the mafia culture.
Sunday, 2 October 2016
Trailer 2 analysis
Trailer 2
The purge:
At the beginning of this trailer we see a sunset, which
usually implies happiness and new beginnings, which is then followed by a
family holding hands with calming music in the background, so we see no connotations
of it being a thriller making it misleading, which could be a theme within the
film. Again the trailer has fading transitions, which adds to the calming
affect with the writing “unemployment at 1%”, which could be a suggestion about
the target audience, being an older age group.
We then see a zoom in of a woman’s face who is smiling,
which emphasises the happiness of the scene followed by two teenagers kissing
with the caption “crime is at an all time low”. This could also be a hint about
who the target audience is; also teenagers are often associated with crime
which could be a slight stereotype within the trailer.
After we get a glimpse at why society is doing so well as it
says “But once a year”. This also makes the viewer want to carry on watching as
it leaves questions in their head.
Once we start to see the night time approach the scenes
begin to speed up, making us the audience forget about the happy scenes we have
just witnessed. We also see what is going on through an unusual way of viewing
things, which is through a CCTV camera; this suggests crime is big part of the
film. This also shows a technical change as the lighting has changed to low key
lighting.
We also see props within these scenes, one being the sharpening
of a machete, which implicates death. Therefore what we saw at the beginning was
almost a cover up.
Half way through the trailer it then tells us what the story
line is about by saying “all crime is legal”. Although it gives away part of
the storyline we are still not certain to what happens in the film.
We see a massive contrast from the beginning of the trailer
compared to end due to change of music as it starts of calm and becomes rapid
and unsettling. We also see change due to the emotions of the characters shown,
as the main protagonist (the woman) is seen smiling and with her friends to
begin with but is shortly seen scared and screaming. This shows how the
relationships between the protagonists begin to change and so do their facial
expressions.
Usually within thrillers if you have wealth you are
powerful, but this film contrasts to this as although the family we are shown
lives in a big house and has good security they at just at as much risk as any
other people therefore making them vulnerable.
Nearer the end we witness more violence as the protagonists
and antagonists are introduced. During this scene we see a mixture of high and
low key lighting due to the battle between the two.
The antagonists are introduced wearing masks and the men are
wearing black and the women white this shows how the purge is bad but also
removes evil from the town.
Subscribe to:
Posts (Atom)